Meredith d´ambrosio / little jazz bird. The great jazz trio / kindness,joy,love & happines. Meredith d´ambrosio / love is not a game. The great jazz trio / at the village vanguard vol. John abercrombie / november. Stanley jordan / standards vol. The great jazz trio / the great trio from l.a.
Artist: Les McCann Trio
Title: Live at the Village Vanguard
Year Of Release: 2017
Label: 2xHD - Storyville Records
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 41:55
Total Size: 3.21 / 1.59 GB
WebSite: Album Preview
Title: Live at the Village Vanguard
Year Of Release: 2017
Label: 2xHD - Storyville Records
Genre: Jazz
Quality: DSD128 (.dsf) 5,6 MHz/1 Bit / 24bit-192kHz FLAC (tracks+booklet)
Total Time: 41:55
Total Size: 3.21 / 1.59 GB
WebSite: Album Preview
Tracklist:
- And if you like jazz trio’s with articulate bass playing and a clear and purposeful piano technique, then you are in for a treat. This is a live recording set at the New York Village Vanguard jazz club with accompanying audience ‘participation’, though that never distracts.
- The second in a series of three albums recorded by the Great Jazz Trio at the Village Vanguard in 1977, it features the original lineup of Hank Jones, Ron Carter, and Tony Williams. Jones leads the way with his always elegant boppish arrangements; there are also plenty of solo opportunities for his bandmates in these intimate recordings, which give you the feeling of sitting right in front of.
- Purchase At the Village Vanguard 2 by Great Jazz Trio on CD online and enjoy having your favourite Jazz music delivered to you in South Africa.
- A wonderful live set from the legendary Great Jazz Trio of Ron Carter, Tony Williams, and Hank Jones – one of the group's key Japanese albums of the 70s! As the title implies, the set was recorded live at the Village Vanguard – in a setting that has the trio stretching out even more than on their already-spacious studio sides of the time. Williams is especially nice on the record.
1. I Can Dig It 08:28
Speakeasy: The Great Jazz Trio At The Village Vanguard (1977)
2. On Green Dolphin Street 06:593. Blues 5 04:57
4. Sunny 08:03
The Great Jazz Trio Live At The Village Vanguard
5. I Am in Love 07:126. Love for Sale 07:11
East Wind
An early musical success for McCann was his winning of a Navy talent contest for singing; this led to an appearance on The Ed Sullivan Show. His main career began in the early 1960s when he recorded as a pianist with his trio for Pacific Jazz Records.
In 1969, Atlantic Records released Swiss Movement, a recording of McCann with frequent collaborator, saxophonist Eddie Harris, and guest trumpeter Benny Bailey at that year’s Montreux Jazz Festival. The album contained the song “Compared to What”, and both the album and the single were huge Billboard pop chart successes. «Compared to What» featured political criticism of the Vietnam War. The song was not written by McCann; fellow Atlantic composer/singer Eugene McDaniels wrote it years earlier. «Compared to What» was initially recorded and released as a ballad by Les McCann in 1967 on his Les McCann Play The Hits, issued on the Limelight label.
After the success of Swiss Movement, McCann – primarily a piano player – began to emphasize his rough-hewn vocals more. He became an innovator in the soul jazz style, merging jazz with funk, soul and world rhythms; much of his early 1970s music prefigures the Stevie Wonder albums of that decade. He was among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music.
Recorded in stereo at New York’s famous Village Vanguard on July 16, 1967, this is a remarkable album from this great pianist whose style is rooted in jazz, blues, funk, and R&B. This is one of Les McCann’s last recordings in the jazz style before he turned to a more commercial R&B & singing career.
Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording 'Compared to What' and 'Cold Duck Time' for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey.
McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard 'Groove' Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.
After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards.
The Les McCann Trio:
Les McCann, piano
Leroy Vinnegar, double bass
Frank Severin, drums
In 1969, Atlantic Records released Swiss Movement, a recording of McCann with frequent collaborator, saxophonist Eddie Harris, and guest trumpeter Benny Bailey at that year’s Montreux Jazz Festival. The album contained the song “Compared to What”, and both the album and the single were huge Billboard pop chart successes. «Compared to What» featured political criticism of the Vietnam War. The song was not written by McCann; fellow Atlantic composer/singer Eugene McDaniels wrote it years earlier. «Compared to What» was initially recorded and released as a ballad by Les McCann in 1967 on his Les McCann Play The Hits, issued on the Limelight label.
After the success of Swiss Movement, McCann – primarily a piano player – began to emphasize his rough-hewn vocals more. He became an innovator in the soul jazz style, merging jazz with funk, soul and world rhythms; much of his early 1970s music prefigures the Stevie Wonder albums of that decade. He was among the first jazz musicians to include electric piano, clavinet, and synthesizer in his music.
Recorded in stereo at New York’s famous Village Vanguard on July 16, 1967, this is a remarkable album from this great pianist whose style is rooted in jazz, blues, funk, and R&B. This is one of Les McCann’s last recordings in the jazz style before he turned to a more commercial R&B & singing career.
Les McCann reached the peak of his career at the 1969 Montreux Jazz Festival, recording 'Compared to What' and 'Cold Duck Time' for Atlantic (Swiss Movement) with Eddie Harris and Benny Bailey.
McCann first gained some fame in 1956 when he won a talent contest in the Navy as a singer that resulted in an appearance on television on The Ed Sullivan Show. After being discharged, he formed a trio in Los Angeles. McCann turned down an invitation to join the Cannonball Adderley Quintet so he could work on his own music. He signed a contract with Pacific Jazz and in 1960 gained some fame with his albums Les McCann Plays the Truth and The Shout. His soulful, funk style on piano was influential and McCann's singing was largely secondary until the mid-'60s. He recorded many albums for Pacific Jazz during 1960-1964, mostly with his trio but also featuring Ben Webster, Richard 'Groove' Holmes, Blue Mitchell, Stanley Turrentine, Joe Pass, the Jazz Crusaders, and the Gerald Wilson Orchestra.
After the success of Swiss Movement, McCann emphasized his singing at the expense of his playing and he began to utilize electric keyboards.
The Les McCann Trio:
Les McCann, piano
Leroy Vinnegar, double bass
Frank Severin, drums
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Live at the Village Vanguard DSD128.rar - 3.2 GB
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Live at the Village Vanguard DSD128.rar - 3.2 GB
Live at the Village Vanguard Hi-Res.rar - 1.6 GB
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